Nicholas Duval-Smith

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Wake-up Call (a vibration from within), 2021
Corten steel, bronze, 24k gold leaf, driftwood
2390mm x 1500mm
Price on request

Nestled in native bush at the top of the sculpture trail’s ‘figure-8 loop’ boardwalk, visitors will encounter Nicholas Duval-Smith’s majestic Wake-Up Call. Recently installed, but seeming to have been stationed in this spot forever, this artwork has a sense of being timeless and other-worldly.

Framed by three elegant corten steel legs which have a creature-like quality, the large bell hovers in the centre, and upon first discovery there is a sense of gentle anticipation, perhaps even apprehension. As the subtitle ‘a vibration from within’ infers, Wake-Up Call is an interactive sculpture, designed to invite visitors to sit beneath the bell. What is interesting about this act is that it immediately breaks away from the more typical interaction we tend to have with artworks - look, but don’t touch. Furthermore, sitting beneath a large bronze bell, ducking one’s head to be encased within it, requires an element of trust. Once inside, the gold leaf provides a view of a gorgeous glowing chamber which elevates the experience to be one that feels reverent and sacred.

But the experiential emphasis of this work is that of the sound it produces. With the use of Smith’s hand-carved mallet, visitors are invited to strike the exterior of the bronze bell, which provides a rich yet delicate scope of vibrations and therefore sound frequencies. Given the dome-like encasement of the bell, the ‘surround-sound’ effect is effervescent, and both calming and invigorating.

As Duval-Smith notes, “Bells can connect us with the metaphysical, within and without. This is observed in both Eastern and Western cultures. Wake-up Call is an ethereal interactive artwork, inviting the visitor to experience a meditative moment listening to a spectrum of sound frequencies. It may also serve as an opportunity to connect with the self or as a channel to broadcast wishes of hope or joy.”

Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)
Wake-Up Call (A Vibration From Within)

More from this artist

Artist Bio

Nicholas Duval-Smith was born and educated in Ōtepoti (Dunedin), where he studied at the Otago Polytechnic School of Fine Arts. He attended from 1988 to 1990, majoring in sculpture, before returning in 2007 and 2008 to focus on jewellery, completing his Bachelor of Fine Arts in 2008. Duval-Smith now resides in Motueka, where he works from his studio at Frost and Fire, a gallery and workspace founded by Darryl Frost.

His exhibition history spans several solo and group shows. Notable duo exhibitions include Construct at Parker Gallery in Nelson (2021), and his group exhibitions include Mountains at Red Gallery in Nelson (2021), Shapeshifter in Lower Hutt (2016), and NZ Sculpture OnShore in Auckland (2016). His international exhibitions include Gaudi in Barcelona at Grupo Batik in Spain (2002) and Almost an Island in Dunedin (2002). Duval-Smith has also participated in various community-focused exhibitions, such as Festival of the Arts in Roxburgh (2002) and Becroft Garden Women’s Refuge fundraising exhibition in Auckland (2002).

He has held several solo exhibitions, with highlights including Now and Then at Artigiano in Auckland (2004), and The Picnic during the Dunedin Fringe Festival (2000). His commercial commissions reflect his versatility, including a carved chocolate sculpture for the Cadbury Midwinter Festival (2004), reproductions of Aztec sculptures for Cadbury World (2002), and the Meeting Point sculpture (1997) for the Dunedin City Council, commissioned for the 1997 Dunedin Festival.